PLAY / SING / DANCE / COSPLAY for CREDIT and for FUN with the TTU Celtic Ensemble & Elegant Savages Orchestra
The TTU Celtic Ensemble (MUEN3310-207) is recruiting for Fall 2024! Seeking singers, players, dancers, cosplayers, gamers, coders, LARPers, actors, and designers. Come and play with us in the Multiverse of Bassanda!
Open to participants from across the TTU campus
ACTIVE ALLIES to LGBTQIA, AAPI, BIPOC, women-identifying, and related minoritized communities
Web: http://elegantsavagesorchestra.com
Facebook: https://www.facebook.com/elegantsavagesorchestra
Instagram: https://www.instagram.com/p/CRmMpk9hIJ6/
Facebook “Event” at: https://www.facebook.com/events/444195934673522
The TTU Celtic Ensemble (http://ttucelticensemble.com; http://youtube.com/ttucelticensemble; Facebook: http://tinyurl.com/2ft5myw) is a “folk orchestra” of singers, players, and dancers dedicated to exploring the dance music & song of the Seven Celtic Nations (Ireland, Scotland, Wales, Brittany, Cornwall, Galicia, and the Isle of Man), North Europe (France, Spain, Scandinavia), and related traditions. All band, orchestra, and folk instruments and voice-types welcome. Many opportunities for soloes, chamber pieces, and orchestral tuttis.
Recent concert performance: https://youtu.be/Ez19hapEptg?t=3207
PBS television special: https://www.youtube.com/watch?v=sHIe7EoKi8M
The Elegant Savages Orchestra: Symphonic folk from a lost world
Major inspiration for the Elegant Savages Orchestra, the “big band” version of the TTU Celtic Ensemble, comes from the fictional country of “Bassanda,” a creation of Taos-based musicians and VMC partners Chipper Thompson (chipperthompson.com) and Roger Landes (rogerlandes.com), who for purposes of our January 2014 debut assumed their Bassanda personae (“The Rev” and “The General”) as guest performers. We imagined the fictional “Elegant Savages Orchestra,” in which, as part of an “alternate-history” frame, it’s alleged that a Soviet satellite’s official state folkloric ensemble (the “Bassanda National Radio Orchestra”) mutates, after the fall of Communism, into a free-lance ensemble engaged in a Never-Ending Tour.
The BNRO/ESO has thus been heard in many permutations and with widely variegated personnel, including “The Classic 1952 Band,” “The 1962 ‘Beatnik’ Band” (which nearly appeared on the cover of Life magazine under the headline “New Currents from Behind the Iron Curtain”), “The 1965 Newport Folk Festival Band,” who helped jump-start Bob Dylan’s notorious switch from acoustic folk to electric rock & roll, “The Mysterious 1885 Victorian “Steampunk” Band, “The Post-Apocalyptic ‘Desert Pirates’ Band,” “The 1912 New Orleans Creole “Voodoo” Band,” the “1928 ‘Carnivale Incognito’ Band,” the 1934 “Intergalactic Pandemic Popular Front Band,” “The 1936 International Brigade Libertarias Band,” “The 1942 Casablanca Band,” and “The 1948 Berlin Noir Band.”
Coming in 2024-25: “The 17th century ‘Ship of Fools’ Band”
Director: Dr Christopher J Smith (https://www.depts.ttu.edu/music/aboutus/faculty/chris-j-smith.php)
A series of short films featuring the ESO: https://www.youtube.com/playlist?list=PLKXR86U6wxeWw2K0tGjmaq425te7QUCsH
Rehearsals and performances at TTU SOM (LBK campus).
First tutti meeting Sunday August 25 5-7pm room M011 (“Band Hall”) in the TTU School of Music
Admission by interview/audition.
Contact Dr Smith (christopher.smith@ttu.edu) for more information.
